Will Scott

The City

Earlier this week I visited The City with a group of friends. It’s an interesting place, and I’m glad I took the time to experience it, as it provided a unique context to reflect on a set of more abstract ideas.

The claim to fame of the city is that it is the largest art installation on earth – a mile by 1.5 miles of terrain sculpted over something like 50 years into an aesthetically pleasing ‘city’ – a series of gravel mounds and hollows each curbed and delineated by gravel roads. There are a couple of distinct sculptures within the space – brutalist/minimalist concrete structures, a series of triangles on one end of the city and a deconstructed, cantilevered cube on the other.

The city is as much the experience as it is the physical art itself – each day one group of 6 people is allowed to visit by the foundation set up to administrate the exhibit. The visit typically involves a 2.5hr pilgrimage from the antithetical los Vegas up to the city, itself near Area 51 in the high Nevada desert. The city as a place is meant to be timeless – which is effected with a permanent crew to rebuild after storms lead to erosion, and to sweep the paths each day to erase the footprints from previous visitors.

The city, along with its other restrictive policies requires visitors to agree not to take photos. There are enough photos online to get a reasonable approximation of the experience despite this. It perhaps indicates this policy has been effective in limiting the use of the city as a canvas for selfies / other subjects, and maintaining its position as a sole protagonist.

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